15th October 2008

14th October 2008

30th May 2008

Tomaya's Flowerpecker, Revival Stage of Acusis, 2008

More than 200 rare birds bred through Acusis at the ICZ's laboratories for reintroduction to wild.

Celebrations are taking place at ICZ's museum this week with news that more than 200 rare flowerpeckers have been bred this year for reintroduction into the wild.

In fact, a staggering 226 chicks have been successfully hatched and raised to chicks through Acusis at the ICZ, far more than was hoped and giving a massive boost to the re-introduction project at the Yaeyama Islands.

The project is managed jointly by the Institute of Critical Zoologists, the Veterinary Acupuncture Center in Beijing, the Japan Laboratory of Endangered Species and the Biostatsis Institute in Fukuoka who run the laboratories at the ICZ, who work with hunters, trappers and collectors in the area to allow these beautiful and rare birds to remain in the area.

At the Yaeyama Islands, each batch of chicks is first given a health check by ICZ vet, Nicholas Woo, and then released to the wild. The project began with 1 bird released in 1997, this increased to about 85 in 2002, 105 in 2005, and 150 in 2006. This year’s number has exceeded all expectations.

ICZ's Head of Ornithology, Dr. Yong, who has been in charge of inducing Acusis on the adults said: “It’s just great to have surpassed 200. When we set up the project eleven years ago, 20 birds was the target we’d set ourselves and this is just amazing."

“Obviously, the more birds we can release the better the chance that they will come back and a sustainable population can be created in the Yaeyama Islands."

The Tomaya's Flowerpecker is just one of the few success stories from the Acusis Laboratories at the ICZ. Previous success stories include the successful re-introduction of the Yellow Chested Imperial Finch.

Notes to editors

* The Tomaya's Flowerpecker is one of the most threatened breeding bird species in the world. It started to disappear from Japan more than a century ago, because of the introduction of mechanized and intensive trapping methods. Today this relative of the more familiar Sunda flowerpecker only breeds in the Acusis Laboratories where conservationists have been working intensively with local trappers and collectors to ensure the bird’s continued survival.
* After release the birds will migrate to the Artic and on average 1% will return.
* Breeding is carried out at ICZ's Acusis Laboratories where healthy breeding adults under go artificial hibernation. The adults are revived every 2 years to breed. (The project's mission is to help save endangered animals from extinction. It does this by extending the lifespan of the thousands of animals that are expected to disappear within the next few years.) Breeding takes a total of 39 days, after which the adults are put through Acusis again. The chicks are then fed around the clock on the hour for the first 4-5 days. After 10-14 days they are taken to the Yaeyama Islands for release, once they are health checked and provided they are the correct weight.

1st May 2008

The Death Dance by Hayashida Oishi, ICZMZ/113, The ICZ collection

Pair of scorpions in amber, circa 1950s, Giant Blue Scorpions in Amber, 18cm x 5cm, On display in Special Exhibits room

The ICZ is delighted to announce the acquisition of one of Hayshidai's Oishi most treasured and copied, widely known as 'The Death Dance'. This small devotional work was made for the late Dr.Ailaimaishua, a founder of critical zoology in Japan. The scorpions was presumed lost until it was sold at auction in London in July 1949. An exchange in collections with a private dealer allowed the ICZ to purchase it in June 2006. This specimen joins a distinguished collection of twenty other specimen made by the scientist in the Museum's collection, each of which represents a different aspect of Hayashida's art and research.

'The Death Dance' is one of the first specimens to apply an imposing Surrealistic composition to an intimately scaled specimen of the Asian Forest Scorpion. The Surrealistic style was established by Hayashida Oishi in his realistic decorations of the Prehistoric Room, Japan and in a few speciemens such as 'The Lost Hands' made just before 1930. In these works he realised a creative synthesis of the scorpions by encasing them in re-worked amber in a permanent death dance.

The purchase of this specimen was made possible by recent legacies to the ICZ and a generous donation by Zhong Yao Ren.

Notes to editors: Some other specimens by Hayshida Oishi in the ICZ collection:

'The Lost Hands', circa. 1930;
'Smallest Bee', circa. 1930;
'The Prayer during his Temptation', about 1960;